JANE’S PARTY ANNOUNCE NORTH AMERICAN TOUR, In Denver 10/20-Gothic Theatre

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Photo credit: Nikki Omerod L to R: Zach Sutton, Devon Richardson, Tom Ionescu, Jeffrey Giles

JANE’S PARTY ANNOUNCE NORTH AMERICAN TOUR

SUPPORTING BRITs’ CRITICS CHOICE WINNER TOM ODELL

STREAM THE BAND’S LATEST SINGLE “SHIPS ON AN OCEAN”WATCH + SHARE THE LYRIC VIDEO VIA YOUTUBE

Indie pop-rock outfit Jane’s Party have announced a North American tour spanning 18 cities supporting BRITs Critics Choice winner Tom Odell. The tour kicks off in Toronto, October 2, hitting Washington DC, Philadelphia, Boston, New York, Chicago, Los Angeles, San Francisco, and many more, over the course of four weeks, wrapping October 29 in Vancouver [all dates below]. Jane’s Party previously supported Odell in 2019 when they joined him on a massively popular European run.

Says Jane’s Party vocalist/keyboardist Jeffrey Giles, “We have toured across Canada and Europe, but a substantial tour in the U..S is something that has managed to elude us up until now. So to learn that we would not only be playing upwards of twenty shows in some of North America’s most legendary venues, kicking off at Massey Hall, and sharing the stage with our long-time musical pals Tom Odell and his band, has us beyond excited.”

The band recently released “Ships On An Ocean, their first single since their 2022 LP, Live Again. The song title pays homage to the line “ships that pass in the night,” from the poem “Tales of a Wayside Inn” by Henry Wadsworth Longfellow. Tom Ionesu (guitar/vocals) found inspiration in, “the idea that we can come so close to one another for a brief period of time, and then just sail off into the night. I thought it really captured a lethargic and hopeless feeling that the main character in the song takes on. The metaphor helped me get inside that perspective and to write from that place.”

Alan Cross wrote about the new single, stating: “Downbeat and brooding rock that mushrooms into a balladic and contemplative climax, revered Torontonian indie darlings Jane’s Party gear up for another album cycle with ‘Ships On An Ocean’. Frontman Tom Ionesu brings a confident yet gentle sentimentality to his performance, matched with the twinkling and buzzing guitars and soaring finale of this memorable single.”

2023 North American Tour Dates w/ Tom Odell:10/02 – Toronto, ON @ Massey Hall

10/04 – Montreal, PQ @ Place Bell

10/06 – Washington, DC @ Howard Theatre

10/07 – Philadelphia, PA @ Theatre of Living Arts

10/09 – Boston, MA @ Big Night Live

10/10 – Brooklyn, NY @ Brooklyn Steel

10/13 – Columbus, OH @ Newport Music Hall

10/14 – Chicago, IL @ Vic Theatre

10/15 – Nashville, TN @ 3rd & Lindsley

10/17 – Kansas City, MO @ The Truman

10/18 – Minneapolis, MN @ First Avenue

10/20 – Denver, CO @ Gothic Theatre

10/21 – Salt Lake City, UT @ Commonwealth Room

10/23 – Los Angeles, CA @ The Wiltern

10/24 – San Francisco, CA @ The Fillmore

10/26 – Portland, OR @ Roseland Theater

10/28 – Seattle, WA @ The Showbox

10/29 – Vancouver, BC @ Orpheum Theatre

About Jane’s Party:

Jane’s Party’s output over the past decade-plus showcases a sonic palette even most established bands would beg for. Their 2011 self-titled EP and 2013 sophomore full-length, Hot Noise, built on the breezy folk-rock base of The Garage Sessions with more energy, electricity, and eclecticism. 2016’s Tunnel Visions pushed further into electro-pop territory with vibe-heavy textures that could tempt anyone onto a dancefloor while 2019’s Casual Island welcomed a diverse group of guest artists for some compelling collaborations rooted in polished pop rock with hooks for days. But while Jane’s Party has experimented with different sounds and styles, influences and eras, the sonic identity that first emerged with The Garage Sessions has remained: simple-but-substantial melodies, rich, multi-part harmonies, and a mastery of musical dynamism.

Their effortless penchant for catchy pop melodies rich with substance has made them sought-after for feature spots and syncs across pretty much every creative medium. They’ve had songs placed in films and series like Saving HopeBurden of TruthKim’s Convenience, and Hockey Night in Canada; been commissioned for custom compositions for popular TV and podcast networks; and earned impressive engagement numbers across their various social media channels – including over 50 million streams of viral hit “Daydream.”

The quartet’s first feature-length musical special, 2020’s The Marshmallow Revue, was their catalyst to testing the feasibility of outdoor recording. With this variety show, Jane’s Party invited fans into their authentic world with music, humour and their true personalities. Drummer Zach Sutton described 2021’s Wild In The Woods as, “part musical experiment, part wilderness therapy, and a whole ton of fun. This was filmed during a time of take out food, CP24 news updates, and virtual rock and roll. ‘Wild in the Woods’ brings our show to the world’s best stage: nature.” They were joined by artists Ewan Currie, Danica, Tally Ferraro, Skye Wallace and Nick Rose. 2022’s Wild In The Woods 2 brought on Shad, pHoenix, Tom Moffett, Carolina East, and Greg Keelor of Blue Rodeo.

They’ve shared stages with the likes of Odell, Arkells, Tokyo Police Club, LIGHTS, Lord Huron, and Manic Street Preachers. That’s in addition to official slots at dozens of taste-making music festivals on multiple continents. Fittingly, that live, four-on-the-floor energy is what drives their latest studio album, 2022’s Live Again, and now the band – not to mention their ever-growing following – relish the opportunity to once again be reciprocating some love in live performance.

Jane’s Party was hand selected to join the Symphonic Distribution roster when the American independent music distribution and marketing company made their official launch in the Canadian market, now based in Montreal. The seasoned band will only stop when that feeling starts to fade, but Jane’s Party just keeps getting better while remaining consistent, compelling, and true to their original goal of sharing their songs with the world. And if their latest output is any indication, they’re still having a damn good time doing it.

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